after 10 years of existence in berlins ambitious music scene, golden gate club has achieved cult status in his own right through out the world. it is a very special place with its own living soul. yet a small venue it shows a high profile, distinct character and a very original and authentic spirit. to manifest this state, the golden gate club establishes ist own record label >ggcr<. the opening release carries the characteristic name >golden era< by swedish dj and producer anders hellberg. still a new member of the underground, his style strikingly represents what golden gate stands for. namely an impassioned, intense and organic sound with high recognition value. four tracks with the same ingredients but different prescriptions. an analog production through and through, with 303 based rhythms and blazing 80s pads. very intense and haunting but still guarding a sweet and hypnotic atmosphere.

andrea tirone, the 27-year-old italian songwriter and producer behind mind enterprises, is a perennial outsider. forming a post-punk band in his teens, he soon started to crave the uks more vibrant music scene. two years ago he decided to leave his family and friends in italy, london, for tirone, signified freedom, and a place where you could be surrounded by other oddballs and music obsessives, possibly even make a career out of it too.
comes with download code for all tracks.

the alias of welsh-born, california-based brian williams, lustmord first emerged as an associate of spk in the early 80s, before embarking on a solo career that has yielded such classics as heresy (1990), the place where the black stars hang (1994) and (with robert rich) stalker (1995). lustmord has also contributed to numerous hollywood films as music and sound designer, and collaborated with the likes of clock dva, chris & cosey, geir jenssen, the melvins, tool, aaron turner, monte cazazza and coils jhon balance. often seen to epitomize dark ambient, it would be more accurate to say that his work simply goes deeper, further, than conventional ambient dares, or is able, to go. half a decade in the making, the word as power is his new studio album and an exploration of ritual music without dogma.

at the edge of failure a door to greater understanding and discovery is sometimes opened. some of mankinds greatest discoveries and experiences took place by sheer coincidence or even by mistake. from the big bang, to penicillin, or the invisible light we call x-rays, chance and human error has played a big part of our history and evolution as a species - can we really afford to be perfect when we owe our mistakes and weaknesses so much?

the deep house is the genre of reference that the author aims to customize in his title track >say what<. it is a ganglion of rhythm and foggy atmospheres where a voice reproduces a sort of rhyme. it is pretty similar to >revenge<, where the loop cyclic effect is preferred to another though, and where the voice (reduced to a sharp tip) pierces the four quarters in place of the snare drum. both tracks are presented in their remixed versions: the first made by julie marghilano and the second by matthew burton.

brothers are on the wheels! we can call it a funky family! 4 delightful & demoniac house tracks to rush any kind of place. if you like house you need this supa fresh release. 2 original versions with their dub/club edit, something like a sure shot! enjoy

ida engberg describes collage like so: not many things in life beat the true experience of the perfect party. that definitive moment when location, music and people all come together in the same place to create that perfect shared experience. it is about that vibe that can only exist when all those components work together in perfect harmony.

shit the bed, its been over a year since the last wu 12. after 2 tracks appeared on andrew weatheralls masterpiece comp and apientos orange place became a bona fide underground anthem most labels would have piled in with a slew of releases to capitalise on the interest

perseus traxx is no stranger to the legion of underground warriors who place quality above quantity, having released on bunker, m/o/s, photic fields, boe recordings, boomchik, chiwax, sequencias, and future flash to name a few, as well as being one half of nite vision with the man behind mantra/myriadd.the muses are the nine goddesses who promote literature, science and the arts, the personifications of inspiration. though only named and assigned characteristics as recently as the roman era, they were revered by the ancient greeks, who documented that them as having been recruited by the egyptian god osiris as he passed through ethiopia prior to embarking on a tour of asia and europe to teach the arts of cultivation to mankind. itís with this in mind that perseus traxx, makes his first release on newcastleís flight recorder label, delivering an ode to four of them directly rather than the forms they have inhabited while they visit him. bubbling and cutting, heavy synths and dusty tones are jammed out live to tape, ranging from the playful to the stark as they characterise the appropriately named tracks. an ordered tangle of wires and patching in a unique set of acid-free sonic experiments, that sometimes feel as cold and edgy, as they do warm and carefree.

klute returns with a sneak peak from his forthcoming 7th album.best bits not over showcases klutes harder side with a rip tearing floor killer thats been causing hell all over the place. just one tiny slice of the impending album due to land in the autumn. for the flip klute has invited invaderz to take on one of his most popular tunes, take a breath from his 3rd lp lie cheat & steal. having taken a break to concentrate on their work with dego & bugs in the attic, invaderz have returned to d&b with a vengence with forthcoming releases on metalheadz, ram, commercial suicide & c.i.a. extremely limited copies of smokey-coloured black & clear vinyl, inserted randomly.

when i opened my eyes it seemed that something has changed, the same people, the same place, the same climate, but a different situation to which i adapted by inertia, lay before us a new dimension. thick, intimate, felt. music as nexus.

it is no secret that ben watt has chosen to close his acclaimed label buzzin fly to new music after ten great years as one of the uks leading dance independents. but the label has chosen to go out with a bang with one final single. unearthed from the vaults are two dazzling tracks from cornerstone artists, rodamaal, and manoo and francios a. rodamaals fortune was originally completed back in 2007 but scheduling problems prevented it from being released at the time. produced by the franco-portuguese trio (rocco, darkmountaingroups alex santos and manoo) it is a stark but emotionally-charged deep-techno masterpiece, that deserves its place alongside their other classics for the label, musica feliz and insomnia. on the flip, and originally produced in 2005, is other places a long-lost track by manoo and francois a. full of summer shimmer and heavy bass tones, it was produced by the duo during their heyday at the label, and was a secret favourite of label boss, ben watt. two perfect swansongs. buzz buzz.

distant places ep – first sound message from a galaxy cassiopeia. it comes to worldwide dancefloors and penetrates your minds and body. do not try to resist, just dance to the beat ... beat of black gold.

for their third release, total life music masterminds thomas wood and santiago got two swiss friends on board. talented donato capozzi recently had his vinyl debut on fellow label enterbt records, while zurich underground veteran andaloop releases for the first time with this monicker. the friends ep features various aspects of house in its diversity. the 4 cuts reflect hypnotic, deep, crunchy and jazzy moods and feel like a touch of a warm summerbreeze.

extended album tracks... bound to rip a place up!

no more paper tigers! the exaltics return to creme with this mondo otherworldly rip roaring robotronic assassination squad that exposes judge dredd as the cartoon character he actually is and tear him to shreds while theyre at it. free of charge! this will be released as a limited single sided etched 12inch, by the freaks, for the freaks

vorhang auf für das dritte album der ralfe band! auf son be wise verbindet das projekt um oly ralfe erneut seinen schraegen folkpop mit maroden untertoenen und verfuehrerischem laerm

mountain is his first solo-album containing 7 tracks influenced through the experiences of more than 17 years.

reissue of this 1983 talking heads classic platinum album on heavyweight 180 gram vinyl.

steady rockin bass/electronica tracks with those melancholic rephlex hints.

in march, tech-house veteran renato figoli made a welcome return with his first full-length in five years, funkoholic. now renato and amam founder (and fellow italian) alessio mereu have curated a remix package from four top producers to contextualize the deep, aquatic qualities of the originals: sascha dive, christopher rau, losoul and ed davenport. if the original album was set aboard an aircraft, this new double-ep takes place in a stealthy submarine.

vinyl only
following the all out of place ep released on tsuba limited in 2011 we welcome back blm with another outstanding 12 inch. intricate production and a warm pallette of sounds characterise blms work and this ep will further enhance his already burgeoning reputation as one of the uks most promising producers

wild oats is proud to present the kmfh debut album the boat party. after a year of collaborative releases, kyle hall, under the alias kmfh, has produced a debut album, a fusion of original work, sample tracks, and raw edits. the boat party album artwork pokes fun at european summer boat parties and juxtaposes the destitute state of detroit and its recent proneness to discarded luxury in financial crises. mainly, the inability to leave and the sometimes pleasant isolation of a boat party is what the album exudes. the listener has a certain commitment to the material which definitely has its place on the dance floor. you can find tracks that have soulful, funky, and organic feels, while others have a more abstract, mechanical, and robotic sentiments. the boat party was carefully constructed which makes the album a cohesive mix of soulful etherealness and roughly raw sounds, kmfhs cueing into the true aspects of detroit.

limited edition of 275 numbered copies.
when gilles peterson reacts to a house record, you know it is a very special house record. deep and soulfull, love it - was what the 6 music dj thought of these two. if that wasnt enough, trickski described best things in life are free as one hell of a bomb. add in support from jimmy edgar, mark e, severino and dusky and this is looking like one of glasgow undergrounds most successful records to date. love games is the a bit of a wolf in sheeps clothing. what starts off as hooky percussive groove slowly morphs into a full vocal classic with swirling chords and a killer synth hook. severino dropped it at fabric recently and took the roof off the place. best things in life are free is a darker affair – all wandering acid lines and moody, emotional strings - but as trickski proved when they played it at watergate, just as effective.

returning from a faraway place with a far away sound, the hotly anticipated follow up from the cosmologist has landed. those who supported cosmology volume one will know what to expect and volume 2 arrives with refreshingly little fanfare.
early support from greg wilson / ashley beedle / severino hmd & is soon to be featured on leftside wobble s acid soul vol 10.

after a two year stop we decided there could be no better ep for gem records to return to pressing vinyl than this analogue tape recorded kaap de goede hoop jam. when we were putting together 363a everything just fell in to place kaap de goede hoops bobby van putten says.

house roots are the new series of our long time friend and collaborator franco cinelli. been his 7th release on the label and after having released and remixed on labels like bass culture, oslo or harry klein records, franco delivers two oldschool house party bombs strigtly for the dancefloor in his very own style! expect raw rhythms and percussion patterns, analog synths and francos own trademark chords all over the place

riding high on the wings of their previous release pulling strings on their red series, eclectic avenue records bring us rear002 deep in it by small giants. small giants is the wonderfully ingenious marriage between leeds based label manager jacob kelly (j.cub) and the chicago house legend joshua iz. combining their skills, they have taken a heady guitar lick, underpinned it with a smoothly infectious bassline and sewn it all together with a warm soothing vocal sample. call it house, call it disco. either way, it is a surefire dancefloor killer and will take pride of place in any dj or collectors record box. flip her over for a remix by leeds darlings pbr streetgang. currently the hottest thing to come out of dance musics unofficial capital, the cheeky duo have put their own twist on the original by filling the track out with some chuggier deeper vibes whilst highlighting the instrumental solos. a hugely successful foray into a funkier tone for what promises to be another trophy in the e.a.r cabinets.

after storming the charts in 2012 with mysterious 7 inch championed by todd terje & many others, zambon & kapsa - the guys from the very polish cut outs are back with more goods! following the successful debut, they bring us a delicious 12 inch release with 4 amazing edits based on obscure polish records from the 80s. a side is curated by ptaki, a mysterious duo hailing from warsaw. ptaki (which means birds in polish) fly high and want to keep their true identity under the radar. nevertheless, they serve two amazing cuts here, both based on obscure polish jazzfunk. krystyna is the choice cut, with its infectious vocal hook and irresistible groove. marek is a piece of wonderful balearic slow house with rich rhythm and crazy synth action in the middle. b side comes from maciek sienkiewicz, one of the finest purveyors of balearic grooves in poland. two tracks served here wouldnt sound out of place in alfredos set. song for mohindar is the lead track, with its ethereal new-age atmospherics and exotic instrumentation. syntetyczna kobieta lux is an electronic burner that you may (or may not) know from last years tvpc beats in space show.

the latest emotional response release provides something very special indeed, in the form of a new track from under the radar psychedelic rock musician nick nicely. nicely has been making music from the 70s onwards, but his music has recently undergone something of a critical reappraisal, with the likes of robert wyatt and robyn hitchcock supposedly inspired by his work, wrottersley road provides the ideal entry into his music, a masterful piece of shoegaze pop filled with fuzzed out guitars and eastern psychedelic tones. remixes are provided by invisible hands, who provide a minimal 80s inspired electro-pop version, which comes saturated in radiophonic textures, and the oscillation, who take the track into even more abstract ambient territory than the original, deep into a place where time seems to stand still entirely, drawing its rich textures out into infinity.

the sixth record store day will take place. sonar kollektiv has two very special goodies in store: theres the limited 300 copies 12inch of the paskal & urban absolutes remix for jazzanovas >that night<.

alessandro parisi recorded this album just with a roland tr-707 and a roland jx-3p. the result is impressive. for lux rec it was worth the labels first lp. the heritage from his home in the northeast of italy is clearly present in the music of parisi. back in the late seventies and early eighties pordenone was an industrial city with a vivid underground post punk and wave scene. cold weather electronics. fog and darkness surrounds the place to this day and deeply pervades this record: the history of a city called draconia. who will do wrong shall not be forgiven. limited to 250 copies, it comes in a red vinyl double 12-inch outfit. free download included!

anyone familiar with mop mop will already know that their refined style has already lend them a unique place somewhere between the worlds of jazz, funk, latin and the italian postmodern style allowed the band to achieve the international film business as part of woody allens to rome with love movie soundtrack. but with this latest lp isle of magic, mop mop digs even deeper to bring us one of their most engaging and organic records yet.
the vinyl lp includes a download code.

rsd exclusive, pink coloured & marbled vinyl, limited to 167 numbered copies. instant free download included.
sjoko, an alter ego of joost carpentier, is all about movement. to move is to displace a body from one place to another location. sjoko will induce movement by the use of musical rhythms, beats, melodies and harmonies. from intelligent dance to dark jungle on two sides !

limited 12 inch picture disc in support of record store day 2013!
kraak & smaak are laying claim to 2013 as their year with the incredible hype generated by the future is yours - the debut single from the fourth studio album due later in 2013. the single which has ben westbeech on vocals has hit number 1 in the dmc buzz chart / tune of the month in mixmag / dmc single of the week and has been getting support from key tastemakers from london to amsterdam to la. remixes on the vinyl come courtesy of londoners futurizm who put the bass in the place with a slo mo version that has been getting djs twitchy and xlr8r fave ambassadeurs delivers a leftfield bass twister that shows why he is one of the most hotly tipped producers of 2013. kraak & smaak are staunch supporters of record store day being involved in the record shop business themselves and as prolific vinyl collectors.

persnickety sounds is here to funk-ti-fy your world! in this era of nu-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court.let the labels fall and just get it movin.

in the here and now of house and techno, a flux is taking place. the newest generation of souls possessed by the beat has never had a better chance to look back at the unbridled creativity and vitality of the 80s and 90s, and channel it into their contemporary creations. the gospel of youtube and a wealth of mixes with convenient tracklists make it easy for the lazy artist to absorb what was great before and reflect it in their contemporary productions. this of course is of no concern for someone like franck roger

with the first of many releases including not only a vinyl record full of hymns to make your booty quake and your mind think, but also a 32 page magazine, a cult membership card, a ticket to the related performance and more, la mission hopes you will join us on our quest to make the world a funnier and better place. the most important question on our human minds seems to be >why is there something instead of nothing?<, the more complete and meaningful version of >why are we here?<.

strictly limited vinyl !!

every place, in which the human being lives, imposes you to choose. we are continually bombed by voices that try to check us and more our mind digs in the depth of own heart, more we hear the necessity to go over the barriers that are built. this way we are and so we will stay. we walk in a crowd of voices and we are continually looking for a something that can maintain us hungry and rebellious against our bossy ego.

here we are ladies and bass addicts. the first full stazma vinyl is coming!

zum 50. jahrestag der unabhängigkeit jamaikas startete das label kingston sounds die compilationserie *listen up!*, die sich mit diversen stilen jamaikanischer musik beschäftigt. dancehall entwickelte sich zu beginn der 1980er-jahre auf der karibikinsel. der reggae-beat verlangsamte sich und rückte zu gunsten des sängers oder deejays in den hintergrund, später digitalisierten sich die beats zusehends. *listen up - dancehall* stellt einige der klassiker der frühen dancehall-Ära vor, u. a. von cornell campbell, don carlos, johnny clarke und dennis brown. listen up and enjoy!

over the last few years douglas greed live with his band has twisted heads at festivals over a few beers.underway with a percussionist and singer he is constantly on the highways ravaging the gas stations of europe – especially for the last few months. what has developed on the stage as a stout twister session for adults is now presented as a music release.the title piece masked up and messed up puts up a fat middle finger to everyone who lets their vanity slip out at the masked ball. the track is a bass-bellied house rocker along with vocals that wink an eye with a snot-nosed chorus added.with 5000 ansi lumen the lights roll on and off with a flick. there isn t anything the neighbors can do by knocking on the door when the cross-trainers are carrying the load of the baseline! the rainfall in the very first beat provides space for a a dried-out drum. in this dusty atmosphere, it builds up ever and ever more and takes flight to the foremost place. a groovy stop and go – dissolved into a supplication for rain and salvation.

after sweating out the winter heatwave generated by chris mitchell and grey people with proper trax 4, alex falk distills a purified form of techno from the often unnecessary complexities of the style. terse—the fifth limited twelve from proper trax–further solidifies the labels unflinching commitment to the rough n tough sounds of the southern us underground. dont sleep, as this one is aimed to take its place in the record bags of the globes in-the-know heads. measure ones approach for a drastic result.

take a long and wistful stare out of routines window. beyond the urban sprawl and endless nine-to-five tape loop, pass the minds monotonous prattling and humdrum hum of breadwinning, losing and general existing, somewhere out there burns a summer eternal, with all its romances still in tact. a place full of sweaty nights and protracted lazy days where the breeze teases with salty lips, and the sun leaves its freckled kiss on basking knees and cheeks. this is where everything happened just so, where bittersweet memories were made and mistakes first revealed their lessons. here is where you can think, reflect or simply escape. here is your exit.

persnickety sounds is here to funk-ti-fy your world!in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin.

streaking through the ether at twice the speed of sound, mr 8040 is on a date with destiny. he is heading for mikrosector-50, his home planet, but things are not going as smoothly as planned. en route he finds himself in sticky situations, cosmic encounters that trigger flashbacks to a different time and place. will he ever make it home? and who – or what – is he running from?
this, more or less, is the narrative thrust of jack hamills debut album as space dimension controller. welcome to mickrosektor-50 is a swashbuckling sci-fi odyssey that unfolds like some long-lost star wars episode scripted by philip k dick and scored by tangerine dream. the record is fantasy in its purest form: a futuristic boys own adventure concocted in a belfast bedroom, it is the sum of jacks musical influences distilled into 68 minutes of unalloyed electronic pleasure.

limited edition vinyl.

the fottute registrazionis second coming see the half of the i.f.m. project fran mela , owner with marcello napoletano of the the label fottute registrazioni, at his first solo release.influenced by chicagoan house music of producers such as larry heard , k-alexy ,mike dunn and many more. produced by analog gears, five traxs done to give a fuck at everything happen in the his place from club culture till girlfriend bad stories to friends betrayal and real rush.